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Marion Cotillard’s award-winning performance in the Dardenne Brothers 2014 film Two Days, One Night. Photo: Wikimedia

Marion Cotillard’s award-winning performance in the Dardenne Brothers 2014 film Two Days, One Night. Photo: Wikimedia

Chris Nineham is enthralled by this all-too-human study of modern industrial struggle

This is a masterpiece from 2014 by Belgian socialist filmmakers the Dardennes brothers. It is a gripping up-against-the-clock suspense drama, a searing portrait of a woman on the edge of breakdown, a morality tale and a primer in 21st century class struggle all rolled into one convincing and consuming film.

How do they manage it? The answer is simply that they are extremely sensitive to the way in which these different aspects of reality combine in working lives today.

Factory worker Sandra, brilliantly portrayed by Marion Cotillard, has one weekend to convince her workmates to stand by her and stop her being laid off on account of depression. That is just 36 hours to argue with each of them that solidarity makes sense in the modern world.  

In fighting a ruthless manager, she has to confront her own anxiety, the extreme time scarcity and atomisation of neoliberalism, today’s each-for-themselves official morality and the apparent domination of economics over life itself.

This is a beautiful and sensual film in which hope comes from the fact that the impulse to struggle is rooted in the defence of humanity. Do not miss.

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Chris Nineham

Chris Nineham

Chris Nineham is a founder member of Stop the War and Counterfire, speaking regularly around the country on behalf of both. He is author of The People Versus Tony Blair and Capitalism and Class Consciousness: the ideas of Georg Lukacs.

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