Film Review - Counterfire

The giant in the mirror: jeen-yuhs review

Coodie and Chike’s Netflix trilogy gives viewers an insight into the rise and troubles of creative powerhouse and hip-hop icon Kanye West, writes Mayer Wakefield

Ken Burns’ Muhammad Ali: the warrior who would not fight

Exhaustive but not exhausting, Mark Dee Smith goes twelve rounds with our side’s most enduring sporting icon

‘Gritty’ doesn’t cut it. Top Boy is back!

Top Boy is not an open criticism of the Tories but a criticism of the dire effects of austerity, neoliberalism and capitalism on communities like that of the Summerhouse Estate, writes Lucy Nichols

No escape from pain through riches: Nightmare Alley review

Nightmare Alley offers a compelling account of the emptiness and amorality of material gain, writes Simon Duckett

Rescuing Chamberlain: Munich - The Edge of War review

Netflix's Munich – The Edge of War rehashes old revisionist myths in an attempt to exonerate Chamberlain, writes John Westmoreland

The art of sound: The Tragedy of Macbeth review

Joel Coen’s The Tragedy of Macbeth is a visual and aural feast, and while not flawless, shows that Shakespeare can work powerfully well on screen, writes Tom Lock Griffiths

The top ten films of 2021

Mark Dee Smith offers a selection of some of the best films of the year

Comets, climate and capitalism: what we can take from Don’t Look Up

Adam McKay's Don't Look Up highlights how the capitalist class’s relentless pursuit of profit is leading us to disaster, argues Lucy Nichols

Palestinian season on Netflix

Michael Lavalette reviews a number of Palestinian films currently streaming on Netflix

The Harder They Fall review: Who needs a plot anyway?

Despite a missing plot, Lucy Nichols finds The Harder They Fall an entertaining and visually impressive new take on the Western genre

The morality of Squid Game - review

The brutal Squid Game is a huge hit. Lucy Nichols argues this is because people recognise the brutality in their everyday lives

The 8th: The Movement for Abortion Rights in Ireland - review

The 8^th is a moving and powerful film showing how mass activism is the route to achieving change, argues Lucy Nichols

The giant in the mirror: jeen-yuhs review

Coodie and Chike’s Netflix trilogy gives viewers an insight into the rise and troubles of creative powerhouse and hip-hop icon Kanye West, writes Mayer Wakefield

Ken Burns’ Muhammad Ali: the warrior who would not fight

Exhaustive but not exhausting, Mark Dee Smith goes twelve rounds with our side’s most enduring sporting icon

‘Gritty’ doesn’t cut it. Top Boy is back!

Top Boy is not an open criticism of the Tories but a criticism of the dire effects of austerity, neoliberalism and capitalism on communities like that of the Summerhouse Estate, writes Lucy Nichols

No escape from pain through riches: Nightmare Alley review

Nightmare Alley offers a compelling account of the emptiness and amorality of material gain, writes Simon Duckett

Rescuing Chamberlain: Munich - The Edge of War review

Netflix's Munich – The Edge of War rehashes old revisionist myths in an attempt to exonerate Chamberlain, writes John Westmoreland

The art of sound: The Tragedy of Macbeth review

Joel Coen’s The Tragedy of Macbeth is a visual and aural feast, and while not flawless, shows that Shakespeare can work powerfully well on screen, writes Tom Lock Griffiths

The top ten films of 2021

Mark Dee Smith offers a selection of some of the best films of the year

Comets, climate and capitalism: what we can take from Don’t Look Up

Adam McKay's Don't Look Up highlights how the capitalist class’s relentless pursuit of profit is leading us to disaster, argues Lucy Nichols

Palestinian season on Netflix

Michael Lavalette reviews a number of Palestinian films currently streaming on Netflix

The Harder They Fall review: Who needs a plot anyway?

Despite a missing plot, Lucy Nichols finds The Harder They Fall an entertaining and visually impressive new take on the Western genre

The morality of Squid Game - review

The brutal Squid Game is a huge hit. Lucy Nichols argues this is because people recognise the brutality in their everyday lives

The 8th: The Movement for Abortion Rights in Ireland - review

The 8^th is a moving and powerful film showing how mass activism is the route to achieving change, argues Lucy Nichols

Help boost radical media and socialist organisation

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Coodie and Chike’s Netflix trilogy gives viewers an insight into the rise and troubles of creative powerhouse and hip-hop icon Kanye West, writes Mayer Wakefield

Exhaustive but not exhausting, Mark Dee Smith goes twelve rounds with our side’s most enduring sporting icon

Top Boy is not an open criticism of the Tories but a criticism of the dire effects of austerity, neoliberalism and capitalism on communities like that of the Summerhouse Estate, writes Lucy Nichols

Nightmare Alley offers a compelling account of the emptiness and amorality of material gain, writes Simon Duckett

Netflix's Munich – The Edge of War rehashes old revisionist myths in an attempt to exonerate Chamberlain, writes John Westmoreland

Joel Coen’s The Tragedy of Macbeth is a visual and aural feast, and while not flawless, shows that Shakespeare can work powerfully well on screen, writes Tom Lock Griffiths

Mark Dee Smith offers a selection of some of the best films of the year

Adam McKay's Don't Look Up highlights how the capitalist class’s relentless pursuit of profit is leading us to disaster, argues Lucy Nichols

Michael Lavalette reviews a number of Palestinian films currently streaming on Netflix

Despite a missing plot, Lucy Nichols finds The Harder They Fall an entertaining and visually impressive new take on the Western genre

The brutal Squid Game is a huge hit. Lucy Nichols argues this is because people recognise the brutality in their everyday lives

The 8th is a moving and powerful film showing how mass activism is the route to achieving change, argues Lucy Nichols

Help boost radical media and socialist organisation

The 8^th is a moving and powerful film showing how mass activism is the route to achieving change, argues Lucy Nichols