Theatre

Theatre

• Macbeth at Greenwich Theatre - review

  

  The Lazarus Theatre Company's take on Macbeth attempts to shed new light on the play via marrying the traditional and the contemporary, writes Alia Butt

• Wuthering Heights at the Manchester Royal Exchange - theatre review

  

  Andrew Sheridan's adaptation of Emily Brontë's Wuthering Heights is a powerful re-imagination, strongly performed at the Royal Exchange, writes Martin Hall

• Bergman’s Persona: a new stage adaptation - theatre review

  

  Schoolman's staged version of Persona is a postmodern car crash, finds Tom Lock Griffiths

• The Canary and The Crow at Arcola Theatre - review

  

  Alia Butt reviews The Canary and The Crow, on at the Arcola Theatre until 8 February

• Sex/Crime at Soho Theatre - review

  

  Tom Griffiths reviews Sex/Crime, on at Soho Theatre till 1 February

• ‘All Sorts of Woman’: review of Selina Todd’s Tastes of Honey and the National Theatre’s A Taste of Honey

  

  Selina Todd’s biography of Shelagh Delaney contains an urgent political message and a new performance of Delaney’s most famous play shows us how radical she was, finds Katherine Connelly

• Rebels and Friends: a play by Jacqueline Mulhallen

  

  Drama, art and Irish history come together at Unite the Union’s headquarters, finds Ellen Graubart

• Small Island - theatre review

  

  The novelist Andrea Levy sadly died in February 2019.  The National Theatre’s adaptation of her novel ‘Small Island’ is a wonderful tribute to her commitment to telling the stories of Jamaicans in Britain.  Set in the 1940s, this is an important play for our times. 

• May Days: a benefit for Grenfell

  

  William Alderson’s “magnificent” poem May Days is to be performed by actors in aid of the Grenfell Tower victims to commemorate the anniversary of the disaster

• Sylvia - theatre review

  

  A sold-out annex theatre was treated to Jacqueline Mulhallen’s moving, informative and funny performance, Sylvia, the radical Suffragette leader

• The Acting Class review - A necessary declaration of intent from working-class actors

  

  Without the bank of mum and dad as support, opportunities in the arts are becoming non-existent. This new documentary is a cry of anger against this class injustice

• Theatre review: Richard III

  

  The Arcola Theatre‘s production of Shakespeare‘s play is an unsettling experience

• Class in the drama class: actors and privilege

  

  Deirdre O’Neill and Mike Wayne explain why they are making a new documentary, The Acting Class

• Theatre review: Othello

  

  The Globe's production of Shakespeare's play is tense and compelling, writes Tom Griffiths

• Sylvia: a play about Sylvia Pankhurst

  

  An updated version of Jacqueline Mulhallen’s one-woman play is currently on tour

• Theatre review: Hedda Gabler

  

  Ibsen's play isn’t feminist, but the role is still one of the theatre’s most exciting female characters – brutal, mad and vengeful

• Dario Fo will continue to inspire us

  

  Actor, playwright, theatre manger, activist: Dario Fo's legacy will live on, writes Jackie Mulhallen

• Paul Robeson: erased from history - podcast

  

  Portraying Paul Robeson on the 40th anniversary of his death, actor Tayo Aluko talks to us about this prodigiously talented singer, actor and socialist

• Soviet theatre – the revolution in theatre design

  

  The exhibition showcases 150 designs for Russian theatre from 1913-33 from a range of well-known artists, such as Malevich, Tatlin, Popova, Rodchenko Stepanova and Exter

• The morality of the poor: 'Behind the Beautiful Forevers'

  

  Behind the Beautiful Forevers carries you headlong into one of the twenty-first century’s hidden worlds, and into the lives of people impossible to forget

• Class act: Engels classic brought to the stage

  In the 1840s Engels wrote ‘The Condition of the Working Class in England’, based upon his experiences in Manchester. Ben Metters reviews a contemporary theatrical take on this political classic